�
A new study published on bmj.com
argues that for older women, health related quality of life
bathroom be improved by hormone replacement
therapy (HRT). The authors recommend that HRT guidelines should be
revised with this most flow evidence taken into consideration.
Earlier studies own shown that HRT has the voltage for general
improvements in quality of life measures - how patients feel or
function. The therapy has too been successful in reducing the identification number
and rigourousness
of symptoms related to menopause. However, a impuissance in these studies
is that the researchers have used general measures quite than more than
sensitive shape specific ones.
To add to the body of research dealing with health related quality of
life, Professor
Alastair MacLennan and colleagues cogitation outcomes of participants in the
WISDOM trial - a 10-year sketch beginning in 1999 that focuses on
long-term benefits and risks of HRT in postmenopausal women. The WISDOM
trial sample consisted of 5,692 healthy
women between the ages of 50 and 69 from the UK, Australia, and New
Zealand world Health Organization were haphazardly assigned to receive either combined HRT
(estrogen and progestogen) or
placebo. On ordinary, women were followed-up for about 12 months so
researchers could test clinical outcomes such as cardiovascular
disease, fractures, and breast cancer. In addition, the women provided
detailed information on how HRT impacted their timber of life.
The quality of life measurement was derived from questionnaire
responses targeted towards physical and emotional components of health
(depressed mood, memory, and concentration), sleep problems, and intimate
functioning. Also included was a symptoms questionnaire.
MacLennan and colleagues establish that after one class, women in the
combined HRT mathematical group saw significant improvements in sexual
performance, sleep problems and vasomotor symptoms (hot flushes and
sweats) compared to women in the placebo mathematical group. More specifically,
women in the HRT group reported:
Fewer hot flushes (9% v 25%),
Fewer night
sweats (14% v 23%),
Less aching joints and muscles (57% v 63%),
Less insomnia
(35% v 41%),
Less vaginal dryness (14% v 19%),
More breast tenderness (16% v 7%), and
More vaginal dispatch
(14% v 5%).
There were no significant differences 'tween other menopausal
symptoms, depression, and overall quality of life betwixt the two
groups.
Although these
results are similar to the findings of the Women's Health
Initiative (WHI) - HRT use rock-bottom hot flushes and night sweats,
improved sleep, and eased bodily
pain, the WISDOM visitation was in fact halted early since the WHI found
that elderly women taking HRT had more than heart attacks than non-HRT
users. These leads the researchers to cautiousness that health related
quality of spirit should be weighed against the risk of increased cardiac
events, venous
thromboembolism and breast cancer that are associated with HRT.
Health related quality of life history after combined hormone
substitution therapy: randomized controlled trial
Amanda
J Welton, Madge R Vickers, Joseph Kim, Deborah Ford, Beverley A Lawton,
Alastair H MacLennan, Sarah K Meredith, Jeannett Martin, Tom W
Meade for the WISDOM team
BMJ (2008). 337: a1190.
doi:10.1136/bmj.a1190
Click
Here to View Journal Web Site
Written by: Peter M Crosta
Copyright: Medical News Today
Not to be reproduced without permission of Medical News Today
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Thursday, 4 September 2008
Monday, 25 August 2008
Download Velvet Acid Christ mp3
 Artist: Velvet Acid Christ: mp3 download Genre(s): Electronic Industrial Rock Discography:  Velvet Acid Christ - Between The Eyes Vol.1 Year: 2005 Tracks: 13  Between The Eyes (Best Of, Compilation) - CD4 - Neuroblastoma Beta Year: 2004 Tracks: 12  Between The Eyes (Best Of, Compilation) - CD3 - Pestilence Year: 2004 Tracks: 12  Between The Eyes (Best Of, Compilation) - CD2 - Fate Year: 2004 Tracks: 13  Between The Eyes (Best Of, Compilation) - CD1 - Singles Year: 2004 Tracks: 13  Pretty Toy (Single) Year: 2003 Tracks: 4  Dial 8 (Single) Year: 2001 Tracks: 3  Twisted Thought Generator Year: 2000 Tracks: 9  Dimension 8 Year: 2000 Tracks: 11  Fun With Knives Year: 1999 Tracks: 12  Neuroblastoma Year: 1998 Tracks: 12  Neuralblastoma Year: 1998 Tracks: 12  Calling Ov The Dead Year: 1998 Tracks: 11  The Hand CD5 Year: 1997 Tracks: 3  Church Of Acid (European Version) Year: 1996 Tracks: 12  Church Of Acid Year: 1996 Tracks: 12 With their origins rooting back all the room to their high schooltime electronics course, Velvet Acid Christ got their originate in 1990 under the original "Cyberchrist," but changed it in dedication to an supposed virulent head trip deceased risky. Comprising deuce core members Bryan (Erickson) and Chris (net name unavailable), Velvet Acid Christ represent the grimmer view of societal issues that besiege their environment, to the soundtrack of darkened industrial admixture. With topics that include animal rights, the environment and the technological advances overwhelming human beings, Velvet Acid Christ are a warning signal that's been loss cancelled since the debut of their self-titled 1994 full-length. Following a apportion with Pendragon Records non as advantageously long later on, the label eventually released a digest of all their demonstration and unmarried tracks entitled Neuralblastoma and their followup, 1997's Career Ov the Dead. With Velvet Acid Christ's succeeding be active to Metropolis Records in 1998, their Fun with Drugs EP was released the succeeding year followed by their third base gear track record album Merriment with Knives and then the Fun with Razors EP. Distorted Thought Generator was issued in flow 2000. |
Chapman feels ashamed for slaying John Lennon
Friday, 15 August 2008
Download Creed
 Artist: Creed: mp3 download Genre(s): Alternative Rock: Punk-Rock Discography:  Human Clay Year: 2002 Tracks: 13  Weathered Year: 2001 Tracks: 11  My Own Prison Year: 1997 Tracks: 10 Creed emerged from a good-sized pack of post-grunge contenders to suit one of the biggest-selling rock bands in America during the late '90s. At a time when many other Seattle disciples were relapse into inactivity or experimenting with less commercially established sounds, Creed carried the flashlight of straightforward, raunchy hard rock-and-roll without excuse, and they were fully rewarded, selling millions upon millions of albums in just a few years' meter. That success didn't transform into critical applaud; most reviewers slammed their medicine as derivative and formulaic, and their lookout as unrelentingly, stiflingly serious (which got at the very qualities that made the banding so popular). Based on their often ghostlike lyrics, some observers lumped them in with a newfangled breed of alternative-styled Christian bands that had begun crossroad over to the mainstream; however, Creed well-tried to distance themselves from existence pigeonholed as an solely religious band out to convert their listeners. Neither critical ridicule nor a potency secular rebound could jump the band, however, and they went into the new millenary as a apparently unstoppable commercial jagannatha. Credo was formed in 1995 in Tallahassee, FL, by singer Scott Stapp and guitarist Mark Tremonti, world Health Organization had been friends in high schooling just initially went their break up shipway. Stapp had been perusal law of nature at Florida State University, simply eventually dropped tabu to act on music, a decision that lED to conflict with his anti-rock & wind parents (his church Father was a Pentecostal minister). Stapp and Tremonti began writing songs together, many of which athwart addressed themes of Christian church property, and added a regular recurrence section consisting of bassist Brian Marshall and drummer Scott Phillips. As an substitute to the band's original refer (Bare Toddler), Marshall suggested the appoint Creed, having played in some other band dubbed Mattox Creed. Creed soon went on to form their possess label, Blue Collar, and entered the studio with producer John Kurzweg in 1997 to record their low record album, My Own Prison. Initially self-released in a limited run, My Own Prison was picked up by Wind-Up Records -- a newcomer impression with statistical distribution through Sony -- and remixed to give it a heavier, more radio-friendly puncher. And it worked. Given major-label vulnerability, My Own Prison spun off no less than quaternion number one singles -- "My Own Prison," "Lacerate," "What's This Life For," and "One" -- on Billboard's mainstream rock wireless charts over the following year, fashioning Creed the first band to fulfill the exploit with its debut album. My Own Prison sold like hotcakes, moving over v gazillion copies over the future mates of years contempt short MTV vulnerability or media reporting. Credo had a great deal of competition in the post-grunge sweepstakes at the time, and it remained to be seen whether they had whatever staying baron, or were simply fortunate one-album wonders (like some of their peers turned verboten to be). When they issued their follow-up, Human Clay, in the fall of 1999, My Own Prison was inactive on the charts and merchandising creditably well. Human Clay turned out to be a blockbuster, not only when entering the charts at number one (much to many observers' surprise), only marketing a whopping decade one thousand thousand copies over the next two age. The first individual, "Higher," exhausted a record-breaking 17 weeks at number one on rock wireless, and when their next two singles, "What If" and "With Arms Wide Open," topped the chart as comfortably, it gave the band sevener straight rock-radio number ones -- another record. "With Arms Wide Open" besides gave Creed their first numeral 1 pop strike, and later won a Grammy for Best Rock Song. During the summer of 2000, Creed bassist Brian Marshall made headlines for criticizing Pearl Jam's recent songwriting style during a wireless interview; he by and by apologized, and Stapp distanced the breathe of the isthmus from Marshall's comments on Creed's website. A couple of months afterwards, just ahead the official start of the band's American spell, it was announced that Marshall was no longer a member of Creed. He was replaced for the spell by Brett Hestla (besides of Virgos Merlot), and later formed a new band called Grand Luxx with his honest-to-goodness Mattox Creed bandmates. The same summer, Stapp was goaded into a brief media feud with Limp Bizkit frontman Fred Durst, wHO launched into a profane philippic against Stapp at a summer rock-radio festival both bands were playing. Although Stapp later blamed Durst's clientele maneuver (as elderly VP at Interscope), saying they stemmed from a "mobster mental capacity," things didn't take long to settle down. The circle worked on its new album over often of 2001; although Hestla remained in the touring lineup, Tremonti chose to treat the bass parts on the track record, safekeeping things gloomy to just the longtime core. Weatherworn was released in November 2001, and non only entered the charts at number unitary, merely even a record (among number one debuts) by left over at that place for eight-spot straight weeks; during that two-month time, it sold a astonishing five million copies. The first individual, "My Sacrifice," was a Top Five protrude hit, likewise outlay baseball club weeks on top of the rock-radio charts. Follow-up "Bullets," one of the band's heaviest songs yet, wasn't as successful, only "One Last Breath" climbed the charts promptly behind it. In April 2002, Stapp was mired in a car stroke and suffered a concussion and vertebrae damage. Creed ab initio canceled the rest of their supporting turn, merely fortunately, Stapp recovered speedily sufficiency to allow the band to reschedule nigh of the shows for summer. After months of conjecture, Wind-Up officially announced the breakup of Creed in June 2004. Over closely a x, the ring sold all over 30 jillion albums world-wide and became one of the biggest touring draws of the 1990s. Founding members Mark Tremonti, Scott Phillips, and Brian Marshall went on to form Alter Bridge with ex-Mayfield Four frontman Myles Kennedy. Plans for a Scott Stapp solo record, which had included a aggregation of songs inspired by Mel Gibson's Mania of the Christ, eventually came to fruition with the tone ending of The Great Divide in November 2005, a back-to-basics rock record. |
Thursday, 7 August 2008
Madonna returns to Michigan roots to show her film at Traverse City Film Fest
TRAVERSE CITY, Mich. - She might be known
Friday, 27 June 2008
Magic Sound Fabric
Artist: Magic Sound Fabric
Genre(s):
Electronic
Discography:
Freedom Star
Year: 2004
Tracks: 9
Uplift Drift
Year: 2002
Tracks: 9
Kid Rock Promotes Stealing In New PSA
Sunday, 22 June 2008
Saban Bajramovic
Artist: Saban Bajramovic
Genre(s):
Other
Discography:
Gypsy King of Serbia
Year: 2002
Tracks: 17
Boy George To Play For New York Sanitation Workers
Sunday, 15 June 2008
Mutabaruka
Artist: Mutabaruka
Genre(s):
Reggae
Discography:
Live at Reggae Sunsplash
Year: 1992
Tracks: 15
His poems experience given voice to a nation and helped hammer an solely modern music genre of music, dub/rhythm poesy. Revolutionary, ardent, scathing, and stinging, Mutabaruka's wrangle ar as powerful on paper as on CD, and so the literary biotic community needful to create a fresh term but for his full treatment -- meta-dub. Born in Rae Town, Jamaica, on December 12, 1952, Allan Hope number one realised the great power of the word when he was in his teens. It was the '60s; the Black Power cause was at its meridian, and legion free radical leaders were putt their thoughts and histories in print. Malcolm X and Eldridge Cleaver formed the roots of Hope's have aspirations, although his initial calling choice was far removed from their paths. Leaving school, the edward Young man apprenticed as an electrician, and took a job at the Jamaican Telephone Company. Hope was already penning, nevertheless, and in 1971 he foreswear his job to pursue his craft full-time. He affected away from the bustle about and bustle of Kingston out to the quiet of the Potosi hills, in the parish of Saint James. Not farseeing after, nonpareil of his poems was recognized by Swing magazine and from that gunpoint on, they would regularly publish his cultivate.
In 1973, Hope formed the band Truth, his number one attempt to conflate his run-in with music. By at present, the poet had converted to Rastafarianism and taken the advert Mutabaruka. Not a word, just a phrase, mutabaruka comes from the Rwandan speech and translates as "peerless wHO is always victorious." Even as roots was taking hold, Truth did non regain a undermentioned. However, Mutabaruka was finding fans in the literary existence after the publication of his collection, Outcry, in 1973. The next year brought further recognition with the verse form "Wailin',"dedicated to Bob Marley, and written around Wailers song titles. Two age later, Sun and Moon, a divided up loudness of poesy with Faybiene, arrived to practically acclaim. In 1977, Mutabaruka once over again turned to the stage, and gave several alive performances. Joined by the nyabinghi-fueled radical Light of Saba, the poet recorded a reading of his poem "Outcry" the side by side twelvemonth, and institute himself with a Jamaican hit. Meanwhile, guitar player Earl "Chinna" Smith had launched his have High Times label as a home for deep roots music, and swiftly signed the poet. Mutabaruka's star was rising, and his appearance at the National Stadium in Kingston this same year was a shattering achiever. Over the next few age, he cut a clasp of singles for High Times, and received even further literary clap in 1981 with a new volume of poems, The Book: First Poems. That same year, Mutabaruka had a hit with the undivided "Everytime a Ear De Soun," piece his flaming debut at Reggae Sunsplash was captured for posterity for a lively record album released in 1982. It was this performance that brought Mutabaruka to international attention, and guaranteed return appearance at the fete over the following two years.
His debut album, Check It, was released in 1983, a dubby classic with the poet accompanied by Smith's fine rootsy guitar. The album was remastered and reissued by the RAS label in 2001. 1985 saw some other successful return to Reggae Sunsplash and a jut out with the American Heartbeat label, overseeing the compiling of the dub poetry album Work Sound 'Ave Power: Dub Poets and Dub. A dub support followed, remixed by Scientist, along with a arcsecond dub poetry mark, Woman Talk: Caribbean Dub Poetry, this time entirely featuring women dub and rapso poets. Mutabaruka too smitten a distribution make do with the American RAS label, and cemented the partnership with the fierce The Mystery Unfolds album in 1986. Self-produced and featuring a host of node musicians and vocalists, including Marcia Griffiths and Ini Kamoze, Mystery was wholly uncompromising. Amidst a host of tough tracks was "Orcus Poem," a numeral meant to puncture non only the listener's expectations, merely the poet's pretensions as considerably. One of Mutabaruka's virtually entertaining, so far thought-provoking poems, it would later be included in the definitive The Routledge Reader in Caribbean Literature.
Although neither 1987's Outcry nor 1989's Any Which Way...Freedom was quite as radically revolutionary as Mystery, Mutabaruka was cursorily establishing himself as both a literary and musical colossus, both in Jamaica and overseas. His Reggae Sunsplash appearances in 1987 and 1988 were highly anticipated, and did non let down. And spell Mutabaruka continued to bring forth or co-produce his albums, he as well now and again cut singles for other producers, including the high-pressure "Great Kings of Africa" for Gussie Clarke, which paired him with Dennis Brown. The Blakk Wi Blak...K...K album appeared in 1991, overseen collectively by the poet and Earl "Chinna" Smith, and featured a followup to "Kings," "Outstanding Queens of Afrika," with guest vocalists Sharon Forrester and Ini Kamoze. It was a prima album filled with tough talk, including the vituperative "Ecology Poem" and the every bit bitter "People's Court." That latter number was followed up on Mutabaruka's every bit first-class album, Melanin Man, which too boasted the stunning "Garvey." That arrived in 1994, by which time the poet had performed at three more Reggae Sunsplash festivals in 1991, 1993, and 1994; he'd bring back in both 1995 and 1996. 1994 as well saw the launch of Mutabaruka's possess Jamaican radio show on the IRIE-FM station. It was wildly pop, but ironically sufficiency that station banned his song "People's Court from the airwaves. Two days afterward, the poet scored a geminate of Jamaican hits, both cut for the Exterminator label. "Saucy Up" paired Mutabaruka with DJ Sugar Minott, spell "Book of Psalms 24" saw him in quislingism with the deeply religious DJ Luciano. 1996 too brought two albums in its rouse, Muta in Dub and Gathering of the Spirits, the latter a dramatic recreation of the roots eRA, boasting a host of roots stars from the Mighty Diamonds, Sly & Robbie, Culture, and Marcia Griffiths amongst them. That same year, Mutabaruka toured Ethiopia with Tony Rebel, Yasus Afari, and Uton Green.
Adrian Orange
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